After a two week hiatus, we return to Outlander Season 5 with Famous Last Words. It is a reference with an opening scene were Roger Mac is back at Oxford, lecturing in his Socratic way, to a group of his students in the English University way of Tutor and students around a big table. Brianna slips in through the door, Roger tries to not be distracted, fails a bit, and goes on to juggle “heids” about the famous last words of historic figures, and what they really may have said, or meant.
“Will those really be your last words?”
So begins a very dark and brooding episode in the aftermath of the loss of Murtagh Fitzgibbons Fraser at Alamance. It is an episode with three brooding men ( Roger, Jamie and the return of a prodigal son) dealing with darkly, difficult emotions. To set the mood, for Rogers’s storyline, this episode references Roger’s and Brianna’s fondness of going to silent classic movie film festivals and uses that style of storytelling to reflect on the darkness and silence of Roger’s survival of hanging and rescue by Claire, Jamie, and Brianna.
Roger (Richard Rankin) sure has gotten the raw end of the character plotlines in season 4 and 5. Not that he fared any better in Diana Gabaldon’s books. The process of Roger’s hanging and rescue was much more drawn out. Roger’s ordeal of being beaten and sold to the Mowhawk by Young Ian and Jamie created a very long and angry introduction to the yes, you are a historian but had no clue as to how brutal it really was to live in those times lessons for Roger. Now, as if nothing could get worse, Roger has full-on PTSD about being hung and surviving.
“People live and die by words.”
Roger has been despondent for months about his ordeal, struggling daily with everyone on eggshells or overly encouraging him to come back to life. For as Brianna (Sofie Skelton) is constantly reminding him, that she feels like he is dead, not living as he does not speak. Claire (Caitriona Balfe) has assured all that he should be able to speak after her emergency surgery on his throat to deal with the crushed windpipe. About that. The cliff hanger last episode.
We come to a series of flashbacks told in silent movie sepia tint style, with cards and showing the silence and despair of Roger being hung and rescued, Claire’s field operation on him. He has a series of reoccurring sepia PTSD moments using the silent film inserts to emphasize his lack of speech and darkest moments.
The first in silent film mode scenes show the Frasers, Jamie, Claire, and Brianna, trying to rescue Roger from the tree hanging scene we left off with at the end of episode 507. Roger is hanging and Jamie and the others are trying to cut him down. Claire discovers he is barely alive and goes into emergency cricothyroidotomy mode, using the stem of a smoking pipe to keep an airway available to him. After he comes out of the PTSD flashback, Claire is examining him and talking about how it has healed nicely and he should have most of his voice back. Brianna is trying to coax Roger to say something, anything. Brianna is losing patience with him, he is traumatized and shutting her and Jemmy out. There is a great deal of stony tension. Roger’s silence is self-imposed.
Lord John Gray (David Berry) has traveled great distances again to visit, there is an invitation to dine at the big house. Roger declines, grimacing. Flashbacks intercede again with his many times Great Granddad Buckleigh MacKenzie (Graham McTavish) and friends handing Roger over to Tryon’s men as a traitor. It’s traumatizing to be hung at all, but by your many time great Grandad, it’s a bit much.
Brianna and Claire discuss Roger’s behavior. Brianna talks to Claire about her old college roommate and how her boyfriend came back from Vietnam. He had not been seriously injured, but he had a thousand-yard stare about him. She says she sees that look in Roger and feels she has lost him. Claire tells her about combat stress, and what it does to people. She reassures her that he will come back, it will take time.
After the dinner with Lord John Gray, they read through a letter he has brought giving Brianna five thousand acres in the backcountry. Claire remarks that it is in exchange for the loss of her husband and Brianna is angered. She doesn’t want land, she wants her husband back. Brianna leaves the table and rushes outside. Lord John follows carefully and tries to distract her. He gives her an astrolabe, used for gauging time and distance at sea. She marvels at it and calculates time, off by half an hour as Lord John corrects her. He tells her to have patience, that things generally have a way of working out.
It’s Still Grief No Matter How You Look at It
Jamie (Sam Heughan) has been struggling with the loss of Murtagh, his Godfather. He tries to help Roger and Brianna with their troubles, however, he is struggling under his own weight. Aunt Jocasta (Maria Doyle Kennedy) and Ulysses (Colin McFarlane) visit to pay respects to Murtagh’s cairn and burial place near the big house. Jocasta in her take-charge fashion, trying to not really show her own grief, states she could have paid for a headstone, even though she and Murtagh were not husband and wife. Jamie points out that the feelings are still valid. They agreed that Murtagh was loyal above all else.
Roger trying to keep busy, and playing guitar and singing is a painful reminder turns to stay busy and improve his woodworking skills. He tries to build the sleeping loft for the cabin. In the process of building, he is reminded by rope and canvas of the hanging, the sacking put over his head, everything said by Tryon and his officers.
Claire and Jamie bring dinner to the cabin. Little Jemmy reaches for a steaming hot kettle and Roger cries out in a very guttural “No!” and Jemmy starts crying. He is embarrassed after rescuing the child. Jamie and Claire take charge of Jemmy. Later, Brianna has been singing “Clementine” to Jemmy as Roger has not sung in months. She keeps hoping to get some interaction from Roger, who is trying to get woodcut and formed for building a loft in the cabin.
Later, Claire and Jamie are playing with young Jemmy as proud grandparents do. They play a game of hide-and-seek, then Jamie comes upon a wild boar, telling claire carefully to get Jemmy out of harm’s way. Just as the Boar charges Jamie, and we prepare ourselves for another set of Jamie scars, and arrow is shot with great precision into the boar. Jamie and Claire look up, and it is Ian Murray (John Hunter Bell), the younger, dressed in his Mohawk garb and hair adornment. He looks dark and broody. He comes back to the Ridge with Claire, Jamie, and Jemmy. When Roger and Brianna are at their cabin, there is a tense moment as Roger and Ian just stare at one another, they have a guy hug. When last we saw the two, Ian sacrificed himself for Roger with the Mohawk tribe to make up for selling him to them and get him back to Brianna. Brianna hugs her cousin, however, Roger retreats. Ian seems to pick up on the sentiment.
PTSD in The Cards
After Brianna and Claire seem to not be able to do anything with Roger, and now find they have both Jamie and Ian’s murky waters as well, Marsali (Lauren Lyle) decides to take a hand. Of course, she can’t do it easily, she pulls out a tarot deck and starts laying out Roger’s cards. Of course, we all know how bad this is going to be. Marsali kept pulling The Hanged Man each time she tries to read Roger, and he in disgust dumps all the cards on the floor. Brianna comes in when Marsali is running about picking up cards and asks what the matter is. After Marsali begs off, Brianna lays it in thick on Roger. She relates to her dealings with Bonnet, that she knows about how hard it is to come back from a dark place. She barks that she needs to know that he is not gone and lost forever.
And again that night, Marsali is determined to uproot everyone. She pushes poor Ian who is very quiet and not the fun-loving lad that left them. She and Fergus (César Domboy) want to know everything about living with the Mohawk. Ian is not adjusting to being inside, eating at a table, being around his family. Jamie tries to take control over all the grief going on with the men, being that fatherly laird type he is. He suggests that Ian go and survey the acreage that has been given to Brianna, to stake out the lines. Later Ian ends up sleeping on the porch as he had stared at a bed for some time and tells everyone he is more comfortable sleeping on the ground.
Roger and Ian make up a surveying team. In Brianna’s farewell, she folds Roger a paper airplane. It is their first wedding anniversary, the gift of paper. He takes the plane folded with him on the trip. Over time he and Ian form a bond, each of them struggling. Ian tries to get Roger to talk. He lashes out, how can Roger be this way, he has his whole family. We get more hints of what has happened to Ian with the Mohawk.
Claire later runs out of her surgery calling for Marsali. She has a jar of Water Hemlock, asking if Marsali has prescribed any. There is only one root left. She questions whether Roger may have taken it contemplating suicide.
Later, Ian asks Roger about his dreams. This is, of course, a very touchy subject, but Ian is deeply troubled. He shows Ian the paper airplane, of course, Ian not being from his time doesn’t know what it is. Roger shows him a bit of it flying. Ian makes a remark about birds. While surveying, Roger walks to a precipice and looks down. The mood changes, he has another flash, however, starts seeing color again when he thinks about the paper airplane. He throws it off the cliff and it flies well, and Roger is lifted with the flight. In time, he sees that he is alive.
Later we come upon Rollo, tied up with a rope. This is very unlike Ian to do this, and Rollo is very worried. Ian goes about ritualistically burying his Tomahawk in the leaves. He then recites some Mohawk words while boiling water. He brings out the Hemlock roots to brew a tea, he wants to end his sorrow. Roger comes and kicks the roots and the fire in one sweep. They start brawling. Ian demands it is his right to end the pain. Ian accuses Roger of buying his weapon, his voice. Roger tries to get Ian to come back, fight for family. Their whole family. After tense moments and the physical guy thing, they return, and Roger finally begins to use his voice. It is still not right, but it is something.
Jocasta seemingly let Murtagh go, and Jamie tried to shake her back into reality. Will we see that she really did love him and misses him?
We’ve had an episode where we barely heard of Bonnet. So, since he knows where Jemmy is, will he try to come to get what he thinks is his son? Will he be the monster? Check out the preview below.
Is it just me, or is Fergus not really saying much this season? He has very few lines.
And why is Jemmy not sprouting that flame-red hair he has in the books?
Only a few episodes left, what other events may get moved up from A Breath of Snow and Ashes, book 6?
Next, episode 509 Monsters and Heros. Catch it Saturday, April 18 at Midnight on the Starz® APP, Sunday at 8:05 pm EST and 5:05pm PST on Starz®, and Monday, April 20 on Amazon Prime in the UK and Ireland.